
{"id":996,"date":"2021-06-21T19:00:11","date_gmt":"2021-06-21T17:00:11","guid":{"rendered":"https:\/\/www.carolefekete.com\/?p=996"},"modified":"2021-06-22T09:40:30","modified_gmt":"2021-06-22T07:40:30","slug":"mobile-home","status":"publish","type":"post","link":"https:\/\/www.carolefekete.com\/en\/2021\/06\/21\/mobile-home\/","title":{"rendered":"Mobile Home"},"content":{"rendered":"<p>28.05 &#8211; 26.09.2021<\/p>\n\n\n\n<p>FAUX MOUVEMENT | Centre d&rsquo;art contemporain<\/p>\n\n\n\n<p>Avec Guillaume Barborini, Camille Bertrand, Roderick Buchanan, Carole F\u00e9k\u00e9t\u00e9, Lo\u00efc Hollard, Nadia Myre, Patrick Nardin, Ver\u00f3nica Marcovich, Maryl\u00e8ne N\u00e9gro, Nicolas Pinier, Till Roeskens, Mira Sanders, Octavi Serra, Sophie Usunier.<\/p>\n\n\n\n<p>Commissariat : Yanina Isuani et Maryse Jeanguyot.<\/p>\n\n\n\n<p><em>Mobile Home<\/em>&nbsp;est un titre qui rassemble de fa\u00e7on paradoxale l\u2019id\u00e9e d\u2019immobilit\u00e9 et de voyage ; il d\u00e9signe \u00e0 la fois l\u2019errance et l\u2019inscription dans&nbsp;un lieu. L\u2019espace domestique se conjugue ici au mouvement et \u00e0 la d\u00e9couverte. La pand\u00e9mie a enferm\u00e9 chacun dans son espace priv\u00e9, le voyage&nbsp;restant une perspective lointaine, mais ouverte \u00e0 l\u2019imaginaire. Les artistes de&nbsp;<em>Mobile Home<\/em>&nbsp;consid\u00e8rent le d\u00e9placement : celui-ci peut-\u00eatre objectif&nbsp;\u00e0 travers des travellings, des trajectoires, des explorations, ou au contraire figur\u00e9 par des objets, des cartographies, des formes sonores, graphiques&nbsp;ou textuelles. En 1929, l\u2019artiste dada\u00efste Hans Richter a r\u00e9alis\u00e9 un film au titre \u00e9trange&nbsp;<em>Alles dreht sich, alles bewegt sich<\/em>&nbsp;(\u00ab Tout tourne, tout&nbsp;bouge \u00bb) qui travaille un tourbillon visuel o\u00f9 l\u2019image perd toute stabilit\u00e9 ; dans&nbsp;<em>Mobile Home<\/em>, m\u00eame si les turbulences sont apais\u00e9es, tout tourne,&nbsp;tout bouge.<\/p>","protected":false},"excerpt":{"rendered":"<p>28.05 &#8211; 26.09.2021 | FAUX MOUVEMENT | Centre d&rsquo;art contemporain, Metz<\/p>","protected":false},"author":2,"featured_media":1000,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-996","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actu"],"jetpack_featured_media_url":"https:\/\/www.carolefekete.com\/wp-content\/uploads\/2021\/06\/33767443-987A-4FFA-9C14-53013B37A03E.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.carolefekete.com\/en\/wp-json\/wp\/v2\/posts\/996","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.carolefekete.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.carolefekete.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.carolefekete.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.carolefekete.com\/en\/wp-json\/wp\/v2\/comments?post=996"}],"version-history":[{"count":10,"href":"https:\/\/www.carolefekete.com\/en\/wp-json\/wp\/v2\/posts\/996\/revisions"}],"predecessor-version":[{"id":1039,"href":"https:\/\/www.carolefekete.com\/en\/wp-json\/wp\/v2\/posts\/996\/revisions\/1039"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.carolefekete.com\/en\/wp-json\/wp\/v2\/media\/1000"}],"wp:attachment":[{"href":"https:\/\/www.carolefekete.com\/en\/wp-json\/wp\/v2\/media?parent=996"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.carolefekete.com\/en\/wp-json\/wp\/v2\/categories?post=996"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.carolefekete.com\/en\/wp-json\/wp\/v2\/tags?post=996"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}